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US Window And Floor Be super welcome 2

US Window And Floor 2" Faux Wood 62.5" W x 84" H, Inside Mount C

$75

US Window And Floor 2" Faux Wood 62.5" W x 84" H, Inside Mount C

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Product description

Size:62.5 x 84  |  Color:Smooth White

The minimum depth required to mount blind is 1 1/2 inch. The minimum depth required for flush-mounting is 3 inch. Our blinds are crafted with high quality components including high profile steel head rail and quality PVC foam slats. Our blinds resist heat and humidity, and are great for all indoor areas including the kitchen, laundry, and bathroom. Installation instructions, a 3 1/4" decorative valance, valance clips, a tilt wand mounting brackets, and screws are included. Valance returns or ending corner valances are NOT included. Mounting screws provided are best for drywall or sheetrock only. They are not for concrete or metal surfaces.

US Window And Floor 2" Faux Wood 62.5" W x 84" H, Inside Mount C

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

Our opening hours are:
Tuesday – Saturday: 11am – 6pm

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Anna Silverton

Anna is known for her finely wheel-thrown porcelain vases and bowls and her meticulous attention to detail. Having trained at Camberwell School of Art and the Royal College of Art, she spent time teaching in the US before returning to London. She established her ceramics workshop almost 30 years ago, which is now based in South London at her home in Sydenham.

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Rose Wallace

Rose’s work aims to comment upon us all as today's consumers. She employs original discarded objects as her starting point. Whether it is an 18th Century clay pipe, a 1950s jelly mould or a piece of contemporary plastic packaging, she believes the inherent value held within the transience of our collective domestic ephemera has a story to tell.

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John Pollex

John Pollex has carved his own niche into the world of studio pottery. Translating his interest in Zen calligraphy into the spontaneous and mesmerising display of colour his work is known for today.

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Adela Powell

Adela studied the natural sciences and her work reflects a depth of observation of the natural world. Universal patterns, textures, and forms in nature, where science and art are inseparable, are Adela’s constant source of inspiration. She is particularly drawn to fragmentation and erosion, which she attempts to incorporate in her work, allowing fortuitous accidents and influences from the subconscious to enrich the process.

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Chloë Dowds

Chloë is based in Co. Wicklow, Ireland. After studying Fine Art Ceramics (BA Hons.), achieving a Higher Diploma in Art Education, and completing her MA in History of Art and Architecture at the University of Limerick, Chloë moved to Thomastown, Co. Kilkenny to complete the Design and Crafts Council’s two-year pottery skills training course.

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Christine-Ann Richards

Christine-Ann trained at Harrow School of Art and Technology with Mick Casson (1971-73), then worked with David Leach. In London, she started her own workshop as a member of the Barbican Arts Group (1975-83) and in 1976 became a Selected Member of the Craftsmen Potters Association and the Society of Designer Craftsmen. She now works from her home, a converted chapel near Frome in Somerset.

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